Digital intermediates for film and video
(eBook)
Author
Published
Amsterdam ; Boston : Elsevier, ©2006.
Physical Desc
1 online resource (vi, 560 pages) : illustrations
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Format
eBook
Language
English
ISBN
1423763440, 9781423763444, 9780080477299, 0080477291, 9781136068300, 1136068309, 9781136068256, 1136068252, 9781136068294, 1136068295, 9781138141353, 1138141356
Notes
Description
The Digital Intermediate process (DI), or conversion of film to digital bits and then back to film again, has great potential to revolutionize the postproduction process. The skill set to photochemically process a movie and pop it into a canister for the postal service to send around to all of the movie houses and the skill set to digitally master and create a file that is distributed globally via the Internet and satellites are completely different. One of these entirely new processes is that of the digital intermediate. The DI has tremendous advantages, ranging from improved quality (first "print" is as good as the last) to cost savings (no re-mastering) to digital distribution (bits and bytes: no film in canisters). The DI influences everything from on set production to the delivery of content to consumers and everything in between. Digital Intermediates for Film and Video teaches the fundamental concepts and workflow of the digital intermediate process. Covers basics of film first, and then introduces the digital world--including a tutorial on digital images, asset management, online editing, color correction, restoration, film and video output, mastering and quality control. Jack's clear and easy-to-follow explainiation of Hollywood buzz words and components facilitates the spill over to anyone who has a vested interest in the quality and cost of the movie. * The first broadcast-quality digital intermediate process was made only three years ago--25% of all films made in 2004 will go through the process--and this is the first book about the process! * Author's work on HBO's Band of Brothers established the industry standard * Book assumes no digital production knowledge--packed with jargon busters and "ready reference" charts
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O'Reilly,O'Reilly Online Learning Platform: Academic Edition (EZproxy Access)
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Citations
APA Citation, 7th Edition (style guide)
James, J. (2006). Digital intermediates for film and video . Elsevier.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)James, Jack, 1977-. 2006. Digital Intermediates for Film and Video. Amsterdam ; Boston: Elsevier.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)James, Jack, 1977-. Digital Intermediates for Film and Video Amsterdam ; Boston: Elsevier, 2006.
MLA Citation, 9th Edition (style guide)James, Jack. Digital Intermediates for Film and Video Elsevier, 2006.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
4f53d439-eb69-e375-cd27-4d6ddd461995-eng
Grouping Information
| Grouped Work ID | 4f53d439-eb69-e375-cd27-4d6ddd461995-eng |
|---|---|
| Full title | digital intermediates for film and video |
| Author | james jack |
| Grouping Category | book |
| Last Update | 2023-07-18 12:52:39PM |
| Last Indexed | 2023-12-02 04:17:38AM |
Book Cover Information
| Image Source | coce_open_library |
|---|---|
| First Loaded | Aug 3, 2023 |
| Last Used | Aug 3, 2023 |
Marc Record
| First Detected | Jun 29, 2022 01:09:00 PM |
|---|---|
| Last File Modification Time | Jul 18, 2023 12:53:11 PM |
MARC Record
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| 505 | 0 | |a The Digital Intermediate Paradigm; Video; Photographic Film; Digital Media; Acquisition; Asset Management; Conforming; Color Grading; Retouching and Restoration; Digital Effects and Titles; Output; Quality Control; The Future of Digital Film; Virtual Cinematography. | |
| 520 | |a The Digital Intermediate process (DI), or conversion of film to digital bits and then back to film again, has great potential to revolutionize the postproduction process. The skill set to photochemically process a movie and pop it into a canister for the postal service to send around to all of the movie houses and the skill set to digitally master and create a file that is distributed globally via the Internet and satellites are completely different. One of these entirely new processes is that of the digital intermediate. The DI has tremendous advantages, ranging from improved quality (first "print" is as good as the last) to cost savings (no re-mastering) to digital distribution (bits and bytes: no film in canisters). The DI influences everything from on set production to the delivery of content to consumers and everything in between. Digital Intermediates for Film and Video teaches the fundamental concepts and workflow of the digital intermediate process. Covers basics of film first, and then introduces the digital world--including a tutorial on digital images, asset management, online editing, color correction, restoration, film and video output, mastering and quality control. Jack's clear and easy-to-follow explainiation of Hollywood buzz words and components facilitates the spill over to anyone who has a vested interest in the quality and cost of the movie. * The first broadcast-quality digital intermediate process was made only three years ago--25% of all films made in 2004 will go through the process--and this is the first book about the process! * Author's work on HBO's Band of Brothers established the industry standard * Book assumes no digital production knowledge--packed with jargon busters and "ready reference" charts | ||
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| 650 | 0 | |a Video recording.|0 http://id.loc.gov/authorities/subjects/sh92003035 | |
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