A retelling in comic strip form of Geoffrey Chaucer's famous work in which a group of pilgrims in fourteenth-century England tell each other stories as they travel on a pilgrimage to the cathedral at Canterbury.

"Describes the lives of knights in medieval Europe. The reader's choices reveal historical details from the perspectives of a French knight during the Crusades, an English knight during the Hundred Years' War, and a German knight during the Peasants' War"--Provided by publisher.

Hegel and Manfried Grossbart may not consider themselves bad men, but death still stalks them through the dark woods of medieval Europe.

Eight-year-old Jack and his younger sister Annie use the magic treehouse to travel back to the Middle Ages, where they explore a castle and are helped by a mysterious knight.

"The word "medieval" conjures images of the Dark Ages--centuries of ignorance, superstition, stasis, savagery, and poor hygiene. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors.--

In fourteenth-century Norway, the plague has destroyed Rype's entire village, and as the sole survivor, she embarks on a sweeping adventure across Europe with the son of an English ship captain and a band of troubadours in search of a brighter future and a new home.

In 13th century Europe, political turmoil is the order of the day and the Fool's Guild and its agents - jesters, jugglers, and knaves to a man - works behind the scenes to manipulate events, trying to maintain a balance of power. Theophilos, a member of the Guild known by many names, is still recovering from his last mission during which he was severely wounded and nearly lost his life but, in the person of Viola, found himself an apprentice and...

Defies conventional views of the "Dark Ages" in European history with a work of rigorous yet accessible scholarship. Drawing on a wealth of new material and featuring a thoughtful synthesis of historical and archaeological approaches, Wickham argues that these centuries were critical in the formulation of European identity. Far from being a "middle" period between more significant epochs, this age has much to tell us in its own right about the progress...

"After being betrayed and cast out, Lady Magdalen and Steffan the Duke of Wolfberg must work together to reclaim their rightful titles"--

Rolf, a young bowman in eleventh-century Iceland, faces many dangers as he tries to bring to justice the men responsible for his father's death.